The first real photography assignment I ever had was photographing for a new travel magazine about Yosemite National Park. I clearly remember telling the editor over the phone this would be well within my capabilities, only to hang up and wonder if that was true.
As a college student with no real summer plans, I threw myself fully into this project. They probably paid me for about ten days worth of work, but I spent the whole summer camping just outside the park boundaries on National Forest land, making a daily commute to the valley to work on the massive shot list my editors had sent over.
I knew this was a door cracking open for me so I wasn’t going to give anything less than the best I could. Slowly but surely I collected the needed photographs, and thankfully the magazine was happy with what I was able to deliver.
My previous experiences in Yosemite were short, a weekend here and there. I liked it, but that summer I spent there really changed the way I thought about the park. I fell in love with the rhythm of the valley and the towering walls above. I moved beyond the valley and hiked miles and miles in the high county and giant sequoia groves.
Yosemite became a special place for me. Since then I have visited the park in some capacity almost every year for the last decade. Each time I pull into the valley it feels familiar, like I am coming home. Half Dome, El Cap, and Cathedral Peak all feel like old friends.
So I was very excited to have an opportunity to return to Yosemite and share that experience with a couple of fall color workshop groups.
Yosemite is amazing in the fall and fellow guide Michael Wichman and I knew we were going to have a productive two weeks. There may be places with more color like like Colorado or New England, but Yosemite’s fall color acts as the perfect accent to some of the most spectacular landscapes in the world.
We had two trips, a hiker and a standard, both originating in Fresno. I always enjoy driving up from Fresno through the Mariposa entrance of the park because it means we will enter the valley through the Wawona Tunnel and get our first view of the cliffs at the iconic Tunnel View.
It is a great introduction to the valley and I love hearing the “oohs and ahhs” as we first lay eyes on El Cap and Bridalveil Falls. This is perhaps the iconic view of Yosemite Valley. A view that has captivated photographers since the days of Ansel Adams. Even today, there are always photographers set up here around the clock.
There are so many great places to shoot in the valley, and we quickly got to work photographing them.
As the fall color neared peak, we were collectively like kids in a candy store! In addition to the fall foliage, autumn is a great time to visit the valley for the angle of light. This time of year the sun sets in a way that illuminates El Cap with late light, something that doesn’t happen in the spring.
We made sure to prioritize El Cap and both groups walked away with a stunning sunset over the granite monolith. It wasn’t all about El Cap, however. We photographed as much of the valley as we could.
We shot sunrises from the meadows, photographed Half Dome at sunset, and chased yellow leaves throughout the day. We even made it over to Mariposa Grove of giant sequoias.
For our hiking group, the highlight was undoubtedly our trek to Upper Cathedral Lakes.
This destination is a backcountry site located in the Yosemite high country. We were excited to see more of Yosemite (it is far more than a single valley after all).
Starting in Tuolumne Meadows, we hiked several miles up to Cathedral Lakes. These beautiful alpine lakes sit in a granite bowl below the iconic and stunning Cathedral Peak.
The temps were cold and the air was thin (the lake sits at over 9,000 feet above sea level), but our group did great!
It had been a few years since I had hiked up there, so I may have started telling people we were “almost there!” about a mile before we were actually there.
So I sort of developed a ‘boy who cried wolf’ dynamic with the group. My bad! We returned to the valley tired and sore that night, which is the best way to feel when grabbing some hard-earned pizza at Curry Village.
The weather had been wonderful the first week, with mild temperatures and nice sunny skies. This would change for our standard group as a storm was in the forecast.
We were all excited about the photography potential of snow in Yosemite, even if I was personally questioning if I had brought enough warm layers. The storm arrived and brought a lot of moisture with it. It was snowing up high with mostly rain hitting the valley floor.
As soon as we saw the rain hitting the valley, we knew we had to get back to Tunnel View for sunrise. This is the best place to get up a little higher and see the clearing storm.
Our guests had mentioned that they wanted to see fog in the valley. I was cautious not to promise anything but was hopeful that this morning would deliver. We got there in the dark, and as dawn arrived, we were ecstatic to see high clouds and swirling fog on the valley floor. It was a pretty incredible scene, and one we were grateful to have witnessed.
They say time flies when you're having fun and these two trips were over before we knew it.
These trips were a great experience with great people. It is always an honor to show such a special place to new visitors.
From the Ahwahneechee to Ansel Adams, Yosemite has been inspiring artists for as long as people have been in the valley. I think I can speak for both groups when I say we felt that inspiration.
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