In The Field
Use a Tripod
Just do it. Invest in a good tripod, and use it. If you’ve traveled with Backcountry Journeys on any one of our landscape-based photo tours, you’ve likely heard your guide discuss the importance of a tripod. The support and stability provided by a tripod are even more essential with this technique because we’re going to be stitching several photographs together. This makes it imperative that you are working with the best images possible.
Level your tripod/camera
The essential first step: level the tripod. Then attach and level your camera.
Vertical or Horizontal?
Vertical is our preferred orientation for panoramas. This will allow for very large images, at the same time leaving you plenty of room to crop the top and bottom of your stitched image in post. Shooting horizontally works, too, but the result is typically a narrow image. Why not attempt both orientations and decide which works best for you?
Shoot in Manual
Since the most important part of a panorama is having a consistent exposure, it is pretty important that you aren’t stitching together images with varying exposures.
Switch your lens from autofocus to manual focus, then achieve a sharp focus. Using manual focus so that it remains consistent with each image.
As in most instances when shooting landscapes on your tripod, set your ISO to the base ISO. This will likely be either 100, or maybe even 64. You do not want to allow the camera to potentially alter your ISO, which is possible in AUTO ISO mode.
Aperture and Shutter Speed
As with the majority of landscape images, you’ll want to have everything in focus, so choose an aperture that allows for this. You get a greater depth of field with a larger “f” number, so, apertures in the f/11-f/16 range should work in most instances. This should put most everything in your scene in focus from foreground to background. Obtain proper exposure as you would normally by adjusting your shutter speed in relation to your aperture.
Lens Focal Length
Unlike many landscape situations, when shooting and stitching panoramics, wider angle lenses won’t work well due to distortion and vignetting problems. Use a lens somewhere in the 28mm to 50mm on full-frame bodies, and 18mm to 35mm on crop sensors.
Shoot in RAW
We typically recommend always shooting in RAW. This will allow you advantages in post-processing. You’ll be able to easily adjust both white balance and exposure, as well as have better detail and overall quality.
Speaking of White Balance, set yours to AUTO. As mentioned above, if you shoot in RAW you’ll be able to adjust White Balance in post.
Be sure to take each photograph with considerable overlap. By doing this you’ll allow your computer to be able to see where it needs to stitch the photos. A good rule of thumb is to overlap each image by about 30%.
When you look to size up your image, you’ll want to decide just what all you want inside the frame, just like normal. However, you’ll need to be looking from left to right across a much longer distance. Make sure that you can freely pan the camera from one side to another without letting it change any angles. While doing this you can establish if your camera and tripod are in fact level, and, exactly how much of the scene you want in your frame. You can note both the starting and ending points using the numbers on your tripod.
Point your camera at your starting point on the left and take the first picture. Now, move the camera a bit, making sure you have overlap. Something like 15 degrees tends to work well. Take a picture and repeat this process until you get to the end. One easy thing you might consider doing is to snap a quick photo of your own hand before and after you take this collection of images. In doing so you’re essentially creating a visual “bookend,” of sorts so that you’ll know later just how many images you’ll be stitching together, and which images belong to which. Maybe consider even holding up the number of fingers to correspond with how many images on your final “bookend.” So, in the field take a photo of your hand prior to shooting your panoramic. Then, after you shoot your images, shoot your hand in the image once again holding up the number of fingers to correspond with the number of shots you just took. Not counting the first hand “bookend.”